How to Choose the Perfect Wall Clock

A Timeless Touch for Your Home

A wall clock does far more than mark the passing of hours. It brings rhythm to a room, offers a sense of order, and can quietly anchor a space. Chosen with care, it becomes part of the fabric of your home – familiar, dependable and pleasing to the eye.

With so many styles and finishes available, selecting the right clock can feel daunting. Yet by taking a thoughtful approach, you can find a piece that feels as though it has always belonged.

Consider the Character of Your Home

Every home has its own story, shaped by age, architecture and the lives lived within it. When choosing a wall clock, take a moment to reflect on that character. A sleek, contemporary design may suit a modern interior, while a clock with traditional detailing can sit comfortably among period features or well-loved furnishings.

Look at the materials already present in the room. Painted wood, natural stone, metal or glass can all help guide your choice. Colour, too, plays a part. A clock may blend gently into its surroundings or provide a quiet contrast, drawing the eye without demanding attention.

Choose a Size That Feels Balanced

Scale is key. A generously sized clock can work beautifully as a focal point in a living room or kitchen, particularly on a large, uninterrupted wall. In smaller spaces – a hallway, study or bathroom – a more modest design will feel in keeping and avoid crowding the room.

Consider how the clock will be viewed. High ceilings may allow for something larger, while lower ceilings benefit from a lighter visual presence. The aim is balance: a clock that feels settled rather than imposed.

Think About the Movement

The mechanism behind the clock face will influence both its character and how it fits into your daily life. Quartz clocks are practical and reliable, requiring little attention beyond the occasional battery change. They suit busy households and spaces where accuracy is paramount.

Mechanical clocks, often wound by hand, carry a sense of tradition. Their gentle ticking and visible craftsmanship can add warmth and depth, though they do ask a little more of their owner. For some, this quiet ritual becomes part of the pleasure.

Consider Additional Details

Some clocks offer extra features, such as chimes or additional displays. While these can be useful, it is worth considering whether they add to the atmosphere of the room or distract from it. A softly chiming clock may suit a hallway or kitchen, while a simpler, silent design might be better suited to a bedroom or study.

As with any object in the home, restraint often brings the greatest pleasure.

Set a Thoughtful Budget

Wall clocks are available at many price points, and value is not always tied to cost. A well-made clock, chosen with care, can give years of quiet service regardless of its price. Decide what feels comfortable for you, and focus on quality, materials and craftsmanship rather than trends.

A Piece to Live With

A wall clock is something you will glance at countless times a day. It should feel reassuring, familiar and right for its place. By considering style, scale, movement and purpose, you can choose a clock that not only tells the time but also enriches your home.

Explore our collection of wall clocks, thoughtfully designed in a range of styles and sizes, and find a piece that will become part of your home’s story for years to come.

See our range of Wall Clocks here

Further Reading: Affordable Decorating Ideas That Will Transform Your Home, Sustainable Chic: A Beginner’s Guide to Circular Design, How to Choose Wall Art for your Home

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How to Choose Wall Art for Your Home

A blank wall can be an appealing thing.

It offers the possibility of a much-loved painting, a collection of family photographs, an old map of somewhere significant or perhaps a picture found unexpectedly in an antiques shop and carried home because you simply couldn’t leave it behind.

What we hang on our walls can tell us a surprising amount about the people who live among them.

In houses assembled over generations, pictures rarely appear to have been chosen according to a single decorating scheme. Portraits sit beside landscapes, botanical studies mingle with family photographs and contemporary works find a place alongside inherited pieces. It is this mixture – of periods, subjects and memories – that gives a room its individuality.

Choosing wall art for your home, then, needn’t begin with what happens to be fashionable. A better starting point is the room itself, followed closely by the question of what you actually enjoy looking at.

Here is how to choose and hang wall art in a way that feels considered, personal and entirely at home.

Begin with What You Love

It is tempting to choose artwork because it matches the sofa.

Colour certainly matters, but it needn’t be the reason you bring a picture into your home.

Art is something you may look at every day for years. Choose pieces that provoke a response – perhaps because the subject is familiar, the colours are particularly beautiful or the picture reminds you of somewhere you have been.

This doesn’t require a considerable budget or knowledge of art history.

Original paintings and limited-edition prints can be wonderful, but so too can old exhibition posters, family photographs, maps, children’s drawings, botanical studies and inexpensive prints discovered at markets and second-hand shops.

You might even frame something that was never intended as wall art at all: an old letter, a fragment of interesting fabric, a pressed plant or a beautifully illustrated page from a damaged book.

A home becomes more interesting when the things within it have stories.

Look at the Room as a Whole

Before deciding what to hang, spend some time looking at the wall from across the room.

Consider the architecture surrounding it. Where are the doors and windows? Is there a fireplace, panelling or an alcove nearby? What furniture sits beneath the space?

The best wall art ideas tend to work with these features rather than ignoring them.

A tall, narrow piece might echo the proportions of a window. A horizontal landscape can work beautifully above a long sideboard. A collection of smaller pictures may bring life to an awkward stretch of wall beside a staircase.

It is also worth considering the character of the room.

A bedroom might call for quieter imagery, while a kitchen or hallway can be an opportunity for something more playful. A sitting room used for conversation can comfortably accommodate a collection of pictures that reward closer inspection.

Don’t feel that the style of the artwork must match the age of the property. Contemporary art can look particularly striking against old plasterwork or panelling, just as an antique landscape can bring warmth and depth to a modern room.

Contrast often creates far more interest than perfect coordination.

Get the Scale Right

If there is one practical consideration that can make an immediate difference, it is scale.

Artwork that is too small can look stranded on a large wall. This is particularly noticeable when hanging a picture above substantial furniture such as a sofa, bed or sideboard.

As a starting point, a picture or group of pictures measuring approximately two-thirds to three-quarters of the width of the furniture beneath it will often feel well proportioned.

This is a guide rather than a rule.

A very large painting can look magnificent in a modest room, while a tiny artwork can be captivating when deliberately positioned in a small alcove or between architectural details.

What matters is that the scale looks intentional.

For a particularly large wall, don’t assume you need one enormous piece. A pair of paintings, a group of prints or a gallery wall can occupy the space just as successfully.

Before committing to a position, cut sheets of paper to the dimensions of your pictures and temporarily fix them to the wall. It is a remarkably effective way of judging proportion without making unnecessary holes.

Hang Art at a Comfortable Height

Pictures have a tendency to creep upwards.

Perhaps it is the expanse of wall above them, but one of the most common mistakes when hanging artwork is positioning it too high.

As a broad guide, the centre of a picture should sit at approximately eye level. In many rooms, this means placing the centre somewhere around 145–150cm from the floor.

But, as ever, the room should have the final say.

Artwork above a sofa or sideboard needs to relate visually to the furniture beneath it. Leave too great a gap and the two elements can appear disconnected.

In rooms where people are mostly seated – a dining room, for example – pictures can often sit a little lower than expected. The result feels more intimate and allows the artwork to become part of the room rather than floating above it.

Old houses provide their own challenges. Sloping ceilings, dado rails, panelling and uneven walls may make conventional rules irrelevant. Work with the architecture rather than forcing symmetry where it doesn’t naturally exist.

Choosing Wall Art for a Living Room

The sitting room is often where artwork has the greatest opportunity to make an impression.

When choosing wall art for a living room, first identify the natural focal points. The space above a fireplace, sofa or sideboard will usually command attention, making it a good place for a substantial picture or carefully arranged group.

Not every wall needs something on it.

Leaving some areas relatively quiet gives the eye somewhere to rest and allows important pieces to have greater presence.

If the room already contains patterned upholstery, colourful rugs or decorative wallpaper, artwork doesn’t necessarily need to compete. Something quieter may provide balance.

Conversely, in a restrained room of plain walls and neutral furniture, art can introduce much-needed colour and personality.

A particularly good painting can even provide the starting point for an entire room. A small shade of green within a landscape might reappear in a cushion or lampshade; a warm ochre might inspire the colour of a chair.

The connection can be subtle. There is no need to match everything exactly.

Let Colour Connect the Room

Artwork can be a wonderful way of bringing seemingly unrelated colours together.

Look closely at a painting and you may find dozens of shades rather than the two or three that initially catch the eye.

Picking up one of these quieter colours elsewhere in the room can create a satisfying sense of connection. It might appear in a cushion, a vase, a painted piece of furniture or simply a bunch of flowers.

Alternatively, use artwork to introduce something unexpected.

A vivid painting in a largely neutral room can completely alter its energy. Deep red, cobalt blue, acid green or ochre can all be enormously effective when there is enough quieter space around them.

Don’t become too preoccupied with whether art ‘matches’.

A picture that disappears perfectly into the colour scheme may ultimately be less interesting than one that introduces a little tension.

Give the Frame Some Thought

The frame is part of the picture.

A good one should protect the artwork while complementing both the piece and its surroundings.

Natural timber frames bring warmth and work particularly well with landscapes, botanical art and prints. Slim black frames offer greater definition and can lend traditional subjects a more contemporary appearance.

Gilt frames have an enduring appeal, especially when their surface has softened with age. They needn’t be reserved for grand interiors. A small, slightly timeworn gilt frame can look wonderful against an informal painted wall.

And there is no requirement for every frame in a room to match.

In fact, a mixture of timber, black, painted and gilt frames can make a collection feel as though it has developed gradually. If there is some consistency in the artwork or overall palette, different frames often add rather than detract from the display.

When framing valuable, original or delicate works, seek advice on conservation-quality materials and suitable glazing to help protect them from damage over time.

Creating a Gallery Wall

A gallery wall offers an opportunity to bring together pictures that might not command an entire wall individually.

The most interesting examples often mix subjects and formats: photographs beside paintings, small prints next to larger works and perhaps an unexpected object among them.

There are two broad approaches.

A formal gallery wall follows a grid, using consistent spacing and often matching frames. It creates a calm, ordered effect and works particularly well with sets of botanical prints, photographs or architectural studies.

A more informal arrangement can grow organically. Begin with one or two substantial pieces and gradually position smaller works around them, keeping the gaps between frames reasonably consistent.

If you are nervous about getting it right, arrange everything on the floor first.

Start with the largest piece and build outwards. Take a photograph of the arrangement once you are happy with it, then transfer it to the wall.

Don’t feel obliged to finish the gallery wall in a single afternoon. Collections often become more interesting when there is space for future discoveries.

Look Beyond Paintings and Prints

Walls can hold much more than conventional framed artwork.

Decorative plates have been displayed in homes for centuries and can create wonderful arrangements in kitchens and dining rooms. Old textiles bring pattern and softness, while tapestries and woven pieces are particularly effective on larger walls.

Maps can have enormous personal significance, especially when they depict a childhood home, favourite landscape or much-visited part of the country.

Pressed botanicals, vintage signs, architectural fragments and small sculptural pieces can all become part of a display too.

Mirrors can also be incorporated among artwork, reflecting light and providing contrast to flat framed surfaces.

The aim isn’t to find unusual objects simply for the sake of being different. Rather, it is to recognise that anything you find beautiful or meaningful has the potential to earn a place on the wall.

Protect Art from Light and Heat

Where you hang a picture matters for reasons beyond appearance.

Strong, direct sunlight can cause pigments, photographs, textiles and paper to fade over time. Particularly valuable or delicate works are best positioned away from prolonged direct sunlight.

Heat and moisture should also be considered.

Avoid placing vulnerable works directly above radiators or in areas prone to damp. Kitchens and bathrooms can be challenging environments for original works on paper because of changing levels of heat, humidity and moisture.

For anything especially precious, professional framing using appropriate conservation materials is worth considering.

After all, part of the pleasure of owning something beautiful is ensuring that it can continue to be enjoyed.

Allow Your Collection to Evolve

There is no need to finish every wall.

Homes are rarely at their most interesting when every surface has been decorated at once. Leaving a little space allows room for something you haven’t found yet.

Perhaps it will be a small landscape spotted in an antiques shop, a print bought on holiday or a photograph you finally decide deserves to be framed.

Move pictures around occasionally too.

An artwork that has become almost invisible through familiarity can feel completely new in another room. Changing the pictures on a landing or moving a painting from a bedroom into the sitting room can alter the character of both spaces without buying anything new.

Walls That Tell a Story

Ultimately, choosing wall art for your home is less about following decorating rules and more about deciding what deserves your attention.

The pictures and objects we choose to live with become part of the backdrop to everyday life. We pass them on the stairs, notice them while sitting with a cup of tea and gradually associate them with particular rooms, people and periods of our lives.

So measure carefully and consider scale. Think about colour, frames and where the light falls. But don’t allow practicalities to remove the pleasure from choosing.

Hang the landscape that reminds you of somewhere you love. Frame the photograph that makes you stop for a moment. Give the peculiar little painting from the antiques shop pride of place simply because it makes you smile.

A beautifully decorated wall doesn’t need to tell visitors that you understand interiors.

It should tell them something about you.

Further Reading: Affordable Decorating Ideas That Will Transform Your Home, Sustainable Chic: A Beginner’s Guide to Circular Design, Small Room, Big Impact

Daily Inspiration: Follow Us on Instagram, BlueSky, Threads , Pinterest, Twitter, TikTok

Take a Look at our great range of Wall Art here

The Ultimate Guide to Choosing a Globe for Your Home

There are few objects that can contain the whole world and still sit comfortably on a desk.

Long before maps could be summoned onto a screen, globes offered people a remarkable way of understanding the Earth. Countries, oceans, mountain ranges and distant cities could be studied at home, while a gentle turn of the sphere could carry the imagination thousands of miles in a matter of seconds.

They were practical objects, certainly, but they also represented something larger: curiosity.

That appeal has never entirely disappeared.

Today, a globe may no longer be needed to plan a journey, but it remains an intriguing object to live with. In a study it invites closer inspection; among books it suggests a fascination with places beyond the doorstep; and in a child’s bedroom it can turn an unfamiliar country mentioned at breakfast into somewhere that can immediately be found.

From traditional desk globes with timber and brass stands to illuminated, educational and contemporary designs, there is an enormous variety to choose from.

So, how do you choose the right globe for your home? It helps to begin with the fascinating history of how we came to put the world on a sphere.

A Brief History of the Globe

The understanding that the Earth is spherical stretches back well over two thousand years.

Greek thinkers were discussing a spherical Earth in antiquity, and by the third century BC Eratosthenes had made a remarkably sophisticated calculation of its circumference. Ancient writers also refer to globes being constructed, although none of these early terrestrial examples is known to have survived.

The oldest surviving terrestrial globe is considerably younger.

Made in Nuremberg by Martin Behaim in 1492, the Erdapfel – or ‘earth apple’ – presents a fascinating picture of European geographical knowledge immediately before news of Christopher Columbus’s first Atlantic voyage reached Europe. Unsurprisingly, its geography looks rather different from a modern map.

That is part of what makes historic globes so interesting.

A globe is not simply a picture of the world; it is a picture of what its maker understood the world to be at a particular moment in time.

As European voyages expanded during the sixteenth and seventeenth centuries, cartographers incorporated newly recorded coastlines and geographical information into maps and globes. Earlier assumptions were corrected, while new names and territories appeared.

By the seventeenth and eighteenth centuries, pairs of terrestrial and celestial globes could be found in libraries, schools and the homes of wealthy collectors. They were instruments of learning, but also handsome demonstrations of scholarship and craftsmanship.

Look closely at an old globe today and it becomes something of a historical document. Borders change. Countries appear and disappear. Place names alter.

The world stays the same shape; our description of it does not.

How Is a Globe Made?

The construction of a traditional globe involves solving an interesting problem: how do you wrap a flat map around a sphere?

The answer lies in gores.

These are long, tapered sections of a map, rather like narrow pointed leaves, which can be carefully applied around a spherical form. When correctly designed and aligned, they meet to create a continuous map of the world.

Historically, globe making involved several skilled processes, from cartography and engraving to printing and careful assembly.

Modern methods vary considerably. Many contemporary globes use printed or moulded surfaces and spheres made from plastics or other manufactured materials, while more specialist makers continue to employ traditional techniques and hand-finishing.

The stand deserves attention too.

The meridian – the ring or partial ring running around the globe – supports the sphere and allows it to rotate. Depending on the design, this might be made from metal, timber or a modern composite.

On a particularly fine globe, these practical elements become part of its decorative appeal.

Why Have a Globe in the Age of Digital Maps?

A digital map can tell you precisely how to reach almost anywhere.

A globe does something different.

Because it presents the Earth as a sphere, it gives an immediate impression of the relationship between continents and oceans. There is no edge to scroll beyond and no need to zoom in or out.

You see the planet as a whole.

That can be especially valuable for children. A country encountered in a story, a place mentioned on the news or the destination of a forthcoming holiday can be found and understood in relation to home.

But there is also a pleasure that has little to do with education.

A globe is tactile. You can turn it. Trace coastlines with a finger. Follow the route of an imagined journey. Notice islands you had never thought about before.

It invites the sort of idle curiosity that can lead somewhere unexpected.

Choosing the Right Type of Globe

Before choosing a globe for your home, consider whether it will primarily be used for reference, education or decoration.

Many designs combine all three, but knowing what matters most will make the choice considerably easier.

Political Globes

A political globe emphasises countries and their boundaries, usually using contrasting colours to distinguish neighbouring territories.

Capitals, significant cities and national borders are typically prominent, making this one of the most useful choices for general geographical reference.

If the globe is intended for children, family use or a home office, a clear political globe with legible labelling is often a sensible starting point.

Because international borders and place names change, check that a globe intended for reference uses reasonably current cartography.

Physical Globes

A physical globe places greater emphasis on the natural landscape.

Mountain ranges, deserts, rivers, oceans and other geographical features are given greater prominence, often using colour and shading to suggest variations in terrain.

Some include raised relief, allowing major mountain ranges to be felt as well as seen.

These globes can be particularly engaging for anyone interested in landscapes, geology, travel or the natural world.

Antique and Vintage Globes

An old globe carries an entirely different appeal.

It might show political boundaries that no longer exist, use unfamiliar country names or bear the gentle signs of decades of handling.

For that reason, a genuinely antique or vintage globe should generally be appreciated as a historical and decorative object rather than relied upon for current geographical information.

Condition varies enormously. Fading, small areas of wear and an aged surface can be part of the charm, but substantial lifting of the paper gores, serious cracks or an unstable stand may require specialist conservation.

There is also an important distinction between an antique globe and an antique-style globe. The latter is newly made but uses colours, typography or illustrations inspired by historic cartography.

Both can be attractive; they simply serve different purposes.

Illuminated Globes

An illuminated globe contains an internal light source, allowing the sphere to glow when switched on.

Some models reveal additional information when illuminated, while others simply provide a soft atmospheric light.

They can work particularly well in children’s bedrooms, studies and reading corners, where the globe serves as both an educational object and a source of gentle illumination.

If choosing one for regular use, consider how easily the light source can be replaced and whether the electrical components meet the relevant UK safety standards.

Celestial Globes

Not every globe depicts the Earth.

Celestial globes map the heavens, showing stars and constellations across the celestial sphere. They have a long history as astronomical and educational instruments and can make particularly intriguing objects for a study or library.

Historic examples can be extraordinarily decorative, populated with illustrations of the figures and creatures associated with traditional constellations.

For anyone fascinated by astronomy, a celestial globe offers a different way of bringing the wider universe into the home.

Contemporary and Decorative Globes

Modern globe design can be surprisingly inventive.

There are restrained monochrome versions, sculptural metal designs and globes with bold contemporary colour palettes. Some dispense with the traditional timber stand altogether in favour of cleaner architectural forms.

These can work beautifully in modern interiors, but don’t allow appearance to be the only consideration if you also want to use the globe as a reference.

A beautifully minimalist map isn’t necessarily an especially informative one.

What Size Globe Should You Choose?

Scale can make the difference between a globe that looks purposeful and one that seems slightly lost.

A small desktop globe can sit comfortably among books, photographs and other objects on shelving. It is also a practical choice for a desk where surface space is limited.

Medium-sized globes have more presence and generally allow room for clearer geographical detail. They work particularly well on a console table, substantial desk or sideboard.

Then there are floor-standing globes.

These demand considerably more space but can become striking pieces of furniture in their own right. Traditionally mounted on timber or metal stands, they suit libraries, studies, large hallways and generous sitting rooms particularly well.

Before buying, look at the globe’s complete dimensions rather than simply the diameter of the sphere.

A wide meridian or substantial base may require considerably more room than expected.

Look Closely at the Cartography

If you intend to use your globe for more than decoration, the quality of the map matters.

Check whether country names and borders are current and whether the typography is sufficiently clear to read comfortably.

Think about the level of information you actually want.

A globe covered with hundreds of place names may be fascinating at close quarters but visually busy from across a room. A simpler map is easier on the eye but less useful for detailed reference.

There is inevitably a compromise between decorative simplicity and geographical detail.

For educational use, clarity should generally win.

Choose Materials That Suit Your Home

The stand and meridian can dramatically change the character of a globe.

Timber bases have a warmth that sits naturally alongside books, old furniture and traditional interiors. Oak and lighter woods can feel relatively informal, while dark timber creates the atmosphere often associated with libraries and studies.

Brass and bronze-toned metal introduce warmth and a sense of permanence. Blackened or dark metal can produce a cleaner, more contemporary appearance.

The sphere itself deserves scrutiny too.

Look for crisp printing, carefully aligned map sections and smooth rotation. On a well-made globe, the stand should feel stable and the mechanism should turn without excessive wobbling or resistance.

If you are choosing a globe because you hope to keep it for many years, these small details matter.

How to Style a Globe at Home

One of the pleasures of decorating with a globe is that it rarely needs much help.

On a desk, allow it enough space to be turned and examined rather than surrounding it with too many objects.

On shelving, try placing a globe alongside books of different heights rather than centring it rigidly on an otherwise empty shelf. The slightly informal arrangement often feels more natural.

A globe can also sit beautifully on a sideboard or console table alongside a lamp, a small collection of books and perhaps a plant or ceramic vessel.

There is no need to create an overtly ‘travel-themed’ display.

Suitcases, model aeroplanes, maps and globes all grouped together can quickly become theatrical. A globe is interesting enough to stand among the ordinary possessions of a home.

In a child’s room, make sure it is somewhere accessible.

A globe placed beyond reach may look attractive, but one that can actually be touched and explored is far more likely to inspire curiosity.

Caring for a Globe

Globes, particularly older examples, benefit from thoughtful positioning.

Prolonged direct sunlight can fade printed surfaces, while excessive heat may damage paper, adhesives and finishes. Avoid positioning an antique globe immediately beside a radiator or in a conservatory where temperatures fluctuate significantly.

Dust can usually be removed gently with a soft, dry cloth or brush, but take particular care with old paper surfaces.

Avoid household cleaning sprays and polishes on historic globes unless you know that they are suitable for the materials involved.

If an antique globe has loose paper, cracking, significant staining or structural damage, resist the temptation to repair it with ordinary glue or adhesive tape. A paper or object conservator can advise on an appropriate treatment.

Sometimes preserving the marks of age is preferable to making an old object look new.

A World Within Reach

Perhaps the enduring appeal of a globe lies in the contradiction at its heart.

It makes the world appear small enough to hold between two hands while simultaneously reminding us how enormous it really is.

For centuries, globes have reflected our changing knowledge of the Earth. They have been studied by scholars, used in classrooms, displayed in libraries and spun absent-mindedly by generations of curious fingers.

Their practical importance may have diminished, but their ability to encourage curiosity has not.

When choosing a globe for your home, think first about how you hope to use it. Look for clear cartography if it is intended for learning, craftsmanship if you want something to keep, and a scale and material that feel at ease in the room.

Then give it somewhere it can be noticed – and touched.

Because while a globe may be a beautiful object, its greatest pleasure still comes from turning it slowly and wondering where, in all that extraordinary expanse of land and sea, you might like to go next.

See our Selection of Globes

Further Reading: Affordable Decorating Ideas That Will Transform Your Home, Sustainable Chic: A Beginner’s Guide to Circular Design, Small Room, Big Impact

Daily Inspiration: Follow Us on Instagram, BlueSky, Threads , Pinterest, Twitter, TikTok

How to Select the Perfect Footstool for your Home

Footstools are an essential fixture in any home. They’re versatile pieces that offer comfort, relaxation, and style. Footstools come in various sizes, shapes, colours, and designs. Whether you’re looking for a functional or decorative piece, footstools can add a touch of elegance and comfort to your home. If you’re struggling to choose the perfect footstool for your home, worry not. We have some useful tips on how to select the perfect footstool for your home.

Consider Usage:  The first thing to consider when selecting a footstool is how you intend to use it. Will it serve as a footrest, storage unit, extra seating or a decorative piece? Depending on your intended use, you may want to choose a footrest that has storage, an ottoman that can double as extra seating or a decorative footstool that adds a pop of colour and texture.

Size and Shape:  Another essential factor to consider when selecting a footstool is size and shape. The size of the footrest should be proportional to the size of the furniture that it’s accompanying. A small footstool may look out of place next to a large sofa. Similarly, a large ottoman may look cumbersome next to a small armchair. As for the shape, it should complement the style of the furniture you’re pairing it with. If you’re pairing it with a rounded chair, consider a round or oval-shaped footstool.

Material and Texture: The material and texture of the footstool can make a significant difference in how it looks and feels. If you’re looking for comfort, consider a footstool made from plush fabrics such as velvet or chenille. If you’re looking for durability, consider a footstool made from leather or a sturdy fabric such as tweed. Additionally, you may want to consider the colour and texture to add visual interest to your living space.

Lifestyle and Durability:  When selecting a footstool, you’ll want to consider the lifestyle of your household. If you have children or pets, you may want to choose a footstool with a durable and stain-resistant material that can withstand heavy use and the occasional spill. Leather is an excellent choice for durability and easy cleaning. Ottoman footstools with a removable tray top offer a convenient storage solution for families with children.

Style and Design:  Last but not least, you’ll want to select a footstool that complements your decor style and design. If you have a traditional style, consider a footstool made from wood and upholstered in a classic fabric. For a contemporary or modern style, consider a sleek leather footstool with clean lines and minimalist design. Whatever your style, find a footstool that adds charm and personality to your living space.

Choosing the perfect footstool for your home doesn’t have to be a daunting task. With the right considerations, you can select a functional, stylish and comfortable footstool that blends seamlessly into your living space. The key factors to consider when selecting a footstool are usage, size and shape, material and texture, lifestyle, durability and style and design. With these tips in mind, you can choose a footstool that enhances your home’s comfort and appeal.

Further Reading: Affordable Decorating Ideas That Will Transform Your Home, Sustainable Chic: A Beginner’s Guide to Circular Design, Small Room, Big Impact

Daily Inspiration: Follow Us on Instagram, BlueSky, Threads , Pinterest, Twitter, TikTok

Take a look at our great range of Foot Stools.

Considerations When Choosing Bookshelves

There is something particularly satisfying about a well-filled bookcase.

Unlike furniture chosen purely for appearance, bookshelves tend to become increasingly personal with time. A row of much-read novels sits beside a book brought home from a holiday; gardening volumes mingle with family photographs, pottery and objects collected over the years. Gradually, the shelves become as much a record of the people who live in the house as a means of keeping books in order.

Choosing the right bookcase, however, requires more thought than simply finding enough shelves.

Its proportions need to suit the room, its construction needs to support the weight placed upon it and its style should sit comfortably alongside the architecture and furniture already there.

Whether you’re looking for a substantial solid wood bookcase for a sitting room, a narrow bookshelf for an alcove or something altogether more contemporary, these are the considerations worth making before you buy.

Begin with What Your Bookshelves Need to Hold

Before measuring the room, look at what you intend to put on the shelves.

A collection of paperbacks has very different requirements from shelves filled with large art, cookery or interiors books. If you plan to display ceramics, framed photographs or baskets alongside books, those need considering too.

Take a little time to look through your collection.

Measure some of the tallest and deepest books rather than assuming that standard shelves will accommodate everything. Large-format books can require considerably more depth and height than novels.

Think ahead as well.

Book collections have a habit of expanding. If your existing books would completely fill a new bookcase on the day it arrives, a little additional capacity may prove useful.

The aim isn’t necessarily to buy the largest bookcase possible, but to choose one that accommodates what you own without immediately looking overcrowded.

Measure the Space Carefully

One of the most important considerations when choosing bookshelves is proportion.

Measure the available width, height and depth, remembering to account for skirting boards, dado rails, radiators, sockets, switches and nearby doors.

Skirting boards are particularly easy to overlook. They can prevent a bookcase from sitting completely against the wall and may make a surprisingly noticeable difference in a narrow space.

Then consider the room as a whole.

A tall bookcase can make excellent use of vertical space and draw attention towards a high ceiling. In a cottage or room with lower ceilings, something broader and lower may feel more comfortable.

A narrow bookcase can turn an otherwise unused corner into useful storage, while a substantial pair of bookcases can bring balance to either side of a fireplace.

Before buying, mark the dimensions on the wall with low-tack masking tape.

Stand back and look.

This simple exercise often tells you more about proportion than measurements alone.

Consider the Architecture of the Room

The best bookshelves often appear to belong to the room rather than having simply been placed in it.

Look at the architecture for clues.

Alcoves beside a chimney breast naturally lend themselves to shelving or fitted cabinetry. Tall Georgian or Victorian rooms may accommodate bookcases of greater height and presence, while cottages can suit lower pieces that don’t compete with beams, windows or irregular walls.

Freestanding bookcases have a particular advantage in older houses because they allow the building to remain visible around them.

A beautifully made timber bookcase against an old plaster wall can provide just enough contrast between furniture and architecture.

Built-in bookshelves offer a different character. They can make excellent use of awkward spaces and allow shelving to extend towards the ceiling, particularly when combined with cupboards beneath.

Neither approach is inherently better.

The question is whether you want the bookcase to read as a piece of furniture or as part of the room itself.

Choose the Right Bookcase Height

Height has an enormous influence on how a bookcase feels.

A tall bookcase makes use of space that might otherwise be wasted and can give a room a pleasing sense of height. It is particularly useful for larger collections.

But taller isn’t automatically better.

In a small room, a very tall, dark bookcase can feel imposing. Equally, a low bookcase in a large room with high ceilings may appear rather insignificant unless it is part of a wider furniture arrangement.

Lower bookshelves have advantages of their own.

The top becomes an additional surface for a lamp, artwork, flowers or a collection of favourite objects. In a sitting room, this can help the bookcase behave more like a sideboard and less like purely functional storage.

Consider what is happening above it too.

A lower bookcase beneath a painting can make a beautiful arrangement, while tall shelves may provide all the visual interest that particular wall needs.

Pay Attention to Shelf Depth

Shelf depth is easily overlooked when buying a bookcase online.

For most novels and ordinary hardbacks, excessively deep shelves can waste space and leave books disappearing towards the back.

Larger art, photography, architecture and cookery books require more generous dimensions.

If you intend to display objects as well as books, deeper shelves may also be useful for bowls, ceramics and framed photographs.

Adjustable shelving offers greater flexibility, allowing the spacing to change as your collection develops.

If shelves are fixed, study the internal measurements carefully.

A handsome bookcase is considerably less useful if your favourite books don’t actually fit inside it.

Look at How the Shelves Are Constructed

Books are heavy.

A shelf that looks perfectly adequate when empty may behave rather differently after several years beneath a tightly packed row of substantial hardbacks.

When comparing bookshelves and bookcases, look beyond the finish and examine the construction.

Consider the width and thickness of the shelves, how they are supported and what the manufacturer recommends regarding maximum loads.

Long unsupported shelves are more vulnerable to bowing, particularly when heavily loaded.

For a serious book collection, sturdy construction matters considerably more than decorative details.

A good bookcase should be capable of doing the job for which it was designed.

Solid Wood Bookcases

There is good reason why wooden bookcases remain such an enduring choice.

Timber brings natural variation to a room. Grain, knots and subtle differences in tone prevent a large piece of furniture from feeling completely uniform.

Oak can have a robust, architectural quality, while other timbers and finishes can create everything from a pale contemporary appearance to something deeper and more traditional.

A darker chestnut finish, for example, can give a bookcase considerable warmth and works particularly well alongside olive green, warm neutrals, aged brass and natural fabrics.

The appeal of timber also lies in the way it changes.

Rather than remaining perfectly untouched, a well-used piece may gradually acquire small marks and variations in colour. In the right interior, these aren’t necessarily defects to disguise.

They are part of the life of the furniture.

Painted Bookcases

A painted bookcase can either blend quietly into the room or become one of its strongest features.

Painting shelving in a colour close to the walls can create a calm, almost architectural effect, particularly with fitted bookcases.

Alternatively, a deeper shade can add considerable character.

Olive and forest greens, warm earthy reds, muted blues and rich brown-based colours can make books and objects stand out beautifully, especially when the room has good natural light.

Don’t assume shelving must be white simply because the room is small.

Sometimes a darker bookcase creates depth rather than making a room feel smaller.

The success of the colour depends as much on the light and surrounding materials as it does on the size of the space.

Metal and Contemporary Bookshelves

Metal shelving can provide a lighter visual alternative to substantial timber furniture.

Fine frames and open sides allow more of the wall to remain visible, which can be useful in smaller rooms or contemporary interiors.

Metal and timber also work particularly well together.

A dark metal frame combined with warm wooden shelves can introduce a subtle industrial influence without making the room feel like a converted warehouse.

Open shelving does, however, reveal everything.

If you prefer to hide paperwork, cables and the less attractive necessities of daily life, look for a design incorporating drawers or cupboards at the bottom.

Open Shelves or Cupboard Storage?

Not everything deserves to be displayed.

One of the most useful features a bookcase can have is some concealed storage.

A bookcase with cupboards beneath provides somewhere for paperwork, games, chargers and other objects that are necessary but don’t contribute much to the room visually.

This combination can work particularly well in sitting rooms and home offices.

Books and favourite objects remain visible above, while everyday clutter disappears behind doors below.

Drawers can serve the same purpose on a smaller scale.

Think honestly about how tidy you are before choosing entirely open shelving.

Furniture should work with the household rather than demanding that the household change its habits.

Consider a Bookcase with Adjustable Shelves

Book collections are rarely uniform.

A tiny paperback might sit beside an enormous atlas; cookery books need more room than novels, while decorative objects introduce another set of proportions altogether.

Adjustable shelves make it easier to accommodate this variety.

Rather than creating identical rows from top to bottom, vary the spacing according to what is stored there.

This can make a bookcase visually more interesting too.

A taller opening containing a ceramic vessel or framed picture breaks up the repetition of books and allows the arrangement to breathe.

Think About Where the Bookcase Will Stand

Bookshelves needn’t automatically occupy the largest empty wall.

Sometimes a less obvious position is more successful.

A narrow bookcase can fit beautifully beside a doorway. Low shelving can sit beneath a window where tall furniture would obstruct the light. A pair of bookcases may frame a fireplace, while open shelving can occasionally help define different areas within a larger room.

Home offices are natural places for bookshelves, but don’t overlook bedrooms, kitchens and hallways.

Cookery books arranged on sturdy shelving can bring character to a kitchen. A small collection beside a bedroom chair creates an instant reading corner.

Even a landing can become a miniature library if there is enough room to pass comfortably.

Books have a way of making overlooked parts of a house feel inhabited.

Don’t Forget the Delivery Route

As with sofas and dining tables, the measurements of the room aren’t the only ones that matter.

Check how the bookcase will reach its final position.

Measure doorways, corridors, staircases, landings and any particularly tight turns.

Find out whether the bookcase arrives fully assembled or in sections.

A tall solid wood bookcase may fit its intended wall beautifully while proving impossible to manoeuvre around a staircase.

Checking beforehand is considerably easier than discovering this when the delivery van is outside.

Safety Matters with Tall Bookshelves

Tall furniture should be treated with care, particularly in homes with children.

Follow the manufacturer’s instructions for positioning and securing the bookcase and use the recommended anti-tip fittings or wall restraints where supplied or required.

The appropriate fixing will depend upon both the furniture and the construction of the wall, so seek professional advice if you’re unsure.

Heavier books and objects are generally better placed lower down, which can also give the bookcase a more visually grounded appearance.

Avoid balancing heavy objects precariously on high shelves.

A beautifully styled bookcase still needs to be a safe one.

How to Style a Bookcase

Once the practical decisions have been made comes the enjoyable part.

A well-styled bookcase shouldn’t look like a shop display.

Begin with the books themselves.

Arrange most vertically, but introduce an occasional horizontal stack to alter the rhythm and provide a small platform for an object.

Don’t feel compelled to arrange books according to the colour of their spines. A collection naturally assembled over many years has a richness and irregularity that is difficult to manufacture.

Then introduce a few other things.

A piece of pottery brought home from a journey, a small framed photograph, an inherited object, a shell, a drawing or something found in the garden can all sit comfortably among books.

The important word is few.

Leave some space.

When every centimetre is occupied by a carefully positioned accessory, the shelves can begin to feel more staged than lived in.

Use Plants Sparingly

Plants can soften the hard lines of shelving beautifully.

A trailing plant on a higher shelf or a small pot beside a group of books introduces movement and colour.

But consider the conditions.

A plant tucked into a dark bookcase several metres from the nearest window may not remain as attractive as it was on the day it was styled.

Choose plants according to the available light rather than simply according to appearance.

And don’t turn every shelf into a miniature indoor garden.

The books should still have somewhere to live.

Add Lighting to Bookshelves

Lighting can transform bookshelves after dark.

Integrated shelf lighting can create a gentle glow, particularly in fitted cabinetry, while a nearby table or floor lamp can illuminate a freestanding bookcase without requiring electrical work.

Avoid excessively bright lighting.

Bookshelves usually look their best with warm, restrained illumination that reveals their contents rather than flooding them with light.

If the shelves contain older or valuable books, remember that prolonged exposure to strong daylight can fade bindings and paper.

Position treasured volumes away from intense direct sunlight where possible.

Buy for the Collection You Want to Keep

Bookshelves have become part of an increasingly fast-moving world of interiors, but the furniture itself needn’t be temporary.

A well-made bookcase can move between rooms and sometimes between homes.

It can begin in a sitting room, spend several years in a study and eventually find itself holding children’s books, records or ceramics somewhere entirely different.

Look for construction that can withstand that change.

Consider whether the shelves are adjustable, whether the piece can be repaired and whether its proportions are versatile enough to work in more than one setting.

Buying fewer, better pieces often makes more sense than filling a room quickly.

Allow Your Bookshelves to Evolve

Perhaps the most appealing bookcases are those that never feel entirely finished.

Books arrive and disappear. Photographs change. A newly found piece of pottery takes the place of something that has been there for years.

Let that happen.

There is no need to achieve a perfectly styled arrangement on the first afternoon.

Start with the books you love, add a handful of objects with meaning and leave some room for whatever comes next.

A home becomes interesting through accumulation.

Bookshelves make that process visible.

Bookshelves That Tell a Story

When choosing the right bookshelves for your home, size, storage capacity, material and price all matter.

But there is another consideration that is harder to measure.

A bookcase becomes a backdrop to everyday life.

It holds the novel picked up every winter, the cookery book with flour between its pages, the enormous volume nobody remembers buying and the children’s stories that somehow remain on the shelf long after the children have grown.

That is why the best bookcases don’t need to shout for attention.

Choose one with good proportions, sound construction and materials you will enjoy living with. Give the books enough room, but not so much that the shelves feel impersonal.

Then allow time to do the decorating.

Eventually, a good bookcase should reveal far more than what was fashionable when it was bought.

It should tell the story of the home around it.

Take a Look at our Bookcases and Shelves 🙃

Further Reading: Affordable Decorating Ideas That Will Transform Your Home, Sustainable Chic: A Beginner’s Guide to Circular Design, Small Room, Big Impact

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